Autumn Fade Handwoven Wrap

  • The Autumn Fade handwoven wrap is a one-off piece from a new collection of work handspun and woven by Rosemary (Rose) Riedel O’Brien in her Dartmoor Studio during November 2020. This new collection shares the alchemical mixture of embercombe wools, alpaca fleeces, naturally dyed wools, organic raw spun linens, cotton and a rich colour alignment. 

    - Only 1 piece available, Handwoven in the UK
    - See the full collection
    Dimensions: 220cm x 56cm (plus fringe)
    Care: cold hand wash only, dry flat.
    - See About tab for fibre combination

    Using only British wool and fibres alongside wild harvested ‘non-harm’ silks, through smell, touch and the use of warm natural colours each bespoke woven item aims to connect its owner to the landscape it was made in - the wilds of the moorland and the beauty and magic held within these isles. 

  • 'Autumn Fade' Wrap
    Cotton warp in shades of gold
    Huacaya Alpaca fleece from a Cornish farm
    Shetland wool naturally dyed using Willow leaf
    British Texel Wool
    Wild Harvested ethical silks; Penduncle and Muga
    Handspun organic Flax
    British Blue Faced Leicester in Oatmeal

    A special inclusion within the autumn 2020 collection is the use of 4 different fleeces from the sheep of Embercombe- a holistic education centre in Devon where Rose volunteered for 5 months and formed a deep connection to the Sheep of the land. The site at embercombe is sacred, and has been used for immersive programs and ritualistic events for over 20 years now- the sheep serve as a connection to that landscape and as a result their wool is both vibrant, hardwearing, beautiful and rooted in the story of these lands. These are one-off fleeces.

    Rooted in sustainability, authenticity and wild creativity, Rosemary (Rose) Riedel O’Brien is a 21 year old Artist Maker living on the western edge of Dartmoor, Devon. In 2019 she completed a 6 month hand spinning and weaving apprenticeship with Imogen Di Sapia at Bright Moon Weaving Studio, Brighton. She has been developing her relationship to textiles and how they shape our identity for over 3 years now.

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